No-Face is at first simply chasing after Chihiro, trying to get her endorsement. He offers her shower tokens and such yet Chihiro always turns him down. The main other individuals he collaborates with are the bathhouse laborers. The vast majority of them are depicted as exceptionally eager, seizing the opportunity to gather gold that spirited away no face drops on the floor.

The more he connects with these specialists, the greedier he moves toward becoming also, actually transforming into a creature that devours everything in its way. Much the same as a kid, No-Face gains from the earth around him. Be that as it may, later on, he collaborates more with Chihiro and Zeniba and inevitably quiets down. He remains with Zeniba, who we know will show him great things.

Another hypothesis is that spirited away no face can be viewed as an image of the Western free enterprise. Miyazaki is known to be strong of customary Japanese culture. There are numerous different portrayals inside Spirited Away about “negative” impacts of the West, as Yubaba – she is the main character other than Zeniba to wear western-style garments and her office room is intensely affected by a western outline with the cover floor and European entryways and windows.

No-Face actually transforms into a beast that wreaks destruction in the bathhouse, which can be seen as an image of conventional Japan. As it were, No-Face is the negative impact that “toxins” the Japanese with ravenousness and dismisses them from their conventions. We later observe that No-Face’s gold transforms into the negligible soil. Maybe Miyazaki was insinuating the Meiji Era, which had numerous western impacts including the sanctioning of Christianity and the uprising of western-style structures.